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Post-Production5 min read

Codec and Storage Planning for Production

Array of SSD storage media cards and hard drives on a production desk

Running out of storage on set is a preventable disaster. With modern cameras shooting 4K, 6K, and even 8K, storage planning is more critical than ever.

Understanding Bitrates

A codec's bitrate determines how much data it writes per second. Higher bitrates mean better quality but more storage consumption.

| Codec | Typical Bitrate (4K/24fps) |

|-------|---------------------------|

| ProRes 422 HQ | ~220 Mbps |

| ProRes 422 | ~147 Mbps |

| H.264 High | ~50 Mbps |

| ARRIRAW | ~400 Mbps |

Resolution and Frame Rate Multipliers

When shooting at higher resolutions or frame rates, storage needs scale:

  • **6K** uses roughly 2.25x the storage of 4K
  • **8K** uses roughly 4x the storage of 4K
  • **48fps** uses 2x the storage of 24fps
  • **120fps** uses 5x the storage of 24fps
  • Planning Your Media

    For a typical shoot day (8 hours of rolling time):

  • Calculate your codec's bitrate at your resolution and frame rate
  • Multiply by shooting hours (accounting for your shooting ratio)
  • Add a 20% safety buffer
  • Plan for backup copies (always have at least 2 copies)
  • Use our Storage & Footage calculator to run these numbers quickly before any production.