Blog
Articles on filmmaking technique, production planning, and industry knowledge.
Showing 12 of 42 posts (Page 3 of 4)
How to Schedule an Indie Feature: A First AD's Breakdown of the Complete Process
The definitive indie scheduling guide: script breakdown, scene complexity scoring, page-per-day targets by genre, company moves, contingency days, and how to use the production schedule calculator to reality-check your plan.
How to Write a Shot List That Your Crew Will Actually Use
The difference between a shot list that looks good in pre-production and one that functions on set. Covers notation conventions, sequencing by setup efficiency, and how to adapt the list in real time.
How to Schedule Around Child Actors, Locations, and Weather: The Constraint-Based Approach
Most production schedules are built around what the director wants to shoot. The best ones are built around what the constraints will allow. A practical guide to constraint-based scheduling for child actor hours, location availability windows, weather dependencies, and how to build in the recovery time that every production actually needs.
Skeleton Crew Filmmaking: The Minimum Viable Crew for Each Type of Production
Every additional crew member costs money and adds coordination overhead. A practical breakdown of minimum viable crew sizes for short films, micro-budget features, documentaries, and web series - with the trade-offs for each reduction from the full crew model.
How to Build a One-Page Call Sheet That Works: Department by Department
A call sheet is not a formality - it is the document that allows 20 people to show up at the right place, at the right time, ready for the right work. A complete guide to every section, every field, and the mistakes that produce crew confusion on day one.
Overcranking vs. Undercranking: A Cinematographer's Guide to Speed Manipulation Beyond Slow Motion
A complete technical guide to overcranking and undercranking - covering the frame rate math, shutter angle implications, storage consequences, and the specific narrative uses of each technique beyond the obvious slow-motion athletics shot.
How Many SSDs Do You Need for a Feature Film? A Pre-Production Calculation Guide
A step-by-step pre-production calculation guide for determining exactly how many SSDs or hard drives a feature film production needs, covering acquisition volume, backup redundancy, proxy storage, and the timing of drive purchases versus rentals.
Building a Data Management Workflow for a Small Crew: Who Backs Up What and When
A practical data management framework for productions without a dedicated DIT - covering card offload sequences, checksumming, drive labelling, proxy creation, and how to structure responsibilities across a 2-3 person crew so nothing gets missed.
Shooting for Multiple Aspect Ratios: How to Frame for 2.39:1, 1.85:1, and 16:9 Simultaneously
A practical framing guide for productions that need to deliver in multiple aspect ratios: covering safe area calculations, on-set monitoring solutions, in-camera frame guide setup, and the specific compositional decisions that affect all three deliverables.
Pulling Focus Without a Focus Puller: How Indie Films Manage DoF on Small Crews
A dedicated 1st AC pulling follow focus is the professional standard for a reason. When the budget or crew size makes that impossible, there are five practical focus strategies that indie and documentary productions use to keep shots sharp without a second set of hands on the lens.
Day for Night: The Exposure Math and the In-Camera Technique
Explains the exposure strategy for day-for-night shooting, the stop-loss calculation, sky blocking techniques, and how modern color grading has changed the technique. Includes worked examples from different solar conditions.
Slow Motion in Practice: Frame Rates, Playback Speed, and What Your Camera Can Actually Do
Moves beyond the basics - covers resolution trade-offs at high frame rates, audio capture limitations, lighting requirements for overcranking, and which cameras offer genuine slow motion versus interpolated results.