Blog
Articles on filmmaking technique, production planning, and industry knowledge.
Showing 4 of 4 posts
Sample Rates in Film and Audio Post: 48kHz vs. 96kHz and When Higher Actually Matters
Covers the Nyquist theorem in plain language, why broadcast requires 48kHz, when 96kHz or 192kHz actually matters and when it's placebo, and the storage implications of each choice for film and television audio.
Audio Latency in Film Production: Recording, Playback, and Post Sync Problems Solved
Explains the sources of audio latency -- hardware, buffer size, DAW routing -- how to calculate total round-trip latency, and how to troubleshoot and prevent the sync problems that ruin otherwise good recordings.
LUFS, dBFS, and Loudness Normalization: What Filmmakers Need to Know
Explains the difference between LUFS, dBFS, and peak level -- why streaming platforms normalize loudness, what it means for your mix, how to meter in your DAW, and how to hit Netflix and broadcast specs without squashing dynamics.
Audio Delivery Standards for Film and Television: A Complete Format Guide
Covers broadcast, streaming, theatrical, and festival delivery specs -- sample rate, bit depth, channel configuration, LUFS targets, and true peak limits per platform. The one-stop reference before mastering.