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Articles on filmmaking technique, production planning, and industry knowledge.
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RAW vs. ProRes vs. H.265: The Storage Cost of Each Codec in Real Numbers
A line-item storage cost comparison for RAW, ProRes, and H.265 acquisition across a full feature film production, with real bitrate figures, drive counts, hardware costs, and the workflow implications that make cheaper codecs not always cheaper in total.
ProRes vs. BRAW vs. ARRIRAW: Which Acquisition Format Is Right for Your Production?
A technical and practical comparison of ProRes, Blackmagic RAW, and ARRIRAW acquisition formats covering data rates, storage requirements, color grading latitude, NLE compatibility, and the real workflow implications for different production scales.
Video Codecs Explained for Filmmakers: RAW vs. LOG vs. Compressed and When to Use Each
The definitive codec guide for filmmakers -- explains intraframe vs. interframe compression, chroma subsampling, bit depth, LOG gamma curves, RAW processing, and how to choose a codec based on camera, delivery target, and post infrastructure.