Overview
The Feroz Awards are Spain's film and television critics prizes, presented annually by the Asociacion de Informadores Cinematograficos de Espana (AICE), a group of approximately 200 professional film journalists and critics working across television, radio, print, and digital media throughout Spain. The 13th ceremony took place on January 24, 2026, at the Pazo da Cultura in Pontevedra. Los domingos, directed by Alauda Ruiz de Azua, won 5 awards: Best Drama Film, Best Director, Best Actress (Patricia Lopez Arnaiz), Best Supporting Actress (Nagore Aranburu), and Best Screenplay.
The Feroz Awards are positioned in late January as a precursor to the Goya Awards, Spain's industry-voted national film prizes. The timing means Feroz results directly influence the conversation heading into Goya voting. The awards split film categories between drama and comedy, a structure similar to the Golden Globes, which allows broader recognition across Spanish cinema's output.
AICE also presents the Feroz Zinemaldia at the San Sebastian International Film Festival, the Feroz Puerta Oscura at the Malaga Film Festival, and the Feroz Cinema Jove for best short film at the Cinema Jove festival. The organization additionally runs the Lo Que Viene festival and the La Inmortal film and series campus in Zaragoza.
Eligibility and Submission Rules
The Feroz Awards recognize Spanish productions released during the prior calendar year. Films must have a Spanish theatrical release to qualify for film categories. Television categories cover Spanish series from the same eligibility period.
There is no formal submission process or entry fee. AICE's membership determines nominees and winners through direct voting. The awards cover both film and television, with separate categories for drama and comedy in both mediums.
The ceremony location rotates among Spanish cities. The 2026 ceremony was held in Pontevedra, Galicia, with sponsorship from the city, the Galician government, and SGAE (Sociedad General de Autores y Editores).
Voting Process
AICE members vote on the nominees and winners. The organization comprises approximately 220 entertainment journalists and film critics working across television, radio, print, and digital media throughout Spain. There is no public voting component.
All members vote across all categories. There are no branch structures or peer group divisions. Members cast ballots for both nominations and winners, with the full membership participating in each round.
The nomination process begins with members proposing candidates, followed by a vote to determine the official nominee shortlist. Winners are then selected by a second membership vote. Results are announced at the annual ceremony.
Key Categories
The Feroz Awards present 20+ categories across film and television:
Film Categories
- Best Drama Film and Best Comedy Film
- Best Director (Premio Feroz SGAE)
- Best Lead Actress in a Film and Best Lead Actor in a Film
- Best Supporting Actress in a Film and Best Supporting Actor in a Film
- Best Screenplay (Premio Feroz DAMA)
- Best Original Score
- Best Trailer
- Best Film Poster - a category unique among major national film awards
- Feroz Arrebato (Fiction) - for works with special artistic merit or innovative contributions
- Feroz Arrebato (Non-Fiction) - for non-fiction works with special artistic merit
Television Categories
- Best Drama Series and Best Comedy Series
- Best Lead Actress in a Series and Best Lead Actor in a Series
- Best Supporting Actress in a Series and Best Supporting Actor in a Series
- Best Series Screenplay
Honorary
- Feroz de Honor - lifetime achievement award
History
The Feroz Awards were established in 2014 by AICE to provide a critics' perspective on Spanish cinema and television, complementing the industry-voted Goya Awards. The first ceremony took place in 2014, making the Feroz one of the newer additions to the European awards landscape.
The awards were created to give professional film journalists a collective voice in recognizing Spanish audiovisual production. The genre split between drama and comedy was a structural choice from the outset, modeled on the Golden Globes, to ensure that commercially oriented Spanish comedies receive recognition alongside dramatic films.
The Best Film Poster category is unique among major national film awards worldwide and reflects the Spanish film industry's strong tradition of distinctive graphic design in film marketing. The 2026 winner was Ana Dominguez and Rafa Castaner for Tardes de soledad (Albert Serra's documentary about bullfighting).
The Feroz Arrebato awards, named after Ivan Zulueta's 1979 cult film Arrebato, recognize works that demonstrate special artistic milestones or innovative contributions. The 2026 fiction Arrebato went to Ciudad sin sueño (Guillermo Galoe), and the non-fiction Arrebato went to Tardes de soledad (Albert Serra).
Business Impact for Filmmakers
For Spanish filmmakers, a Feroz Award provides critical validation that the Goya Awards' industry recognition cannot offer. The January timing means Feroz results directly shape the narrative going into Goya voting. When the Feroz and Goya winners diverge, the contrast itself generates press coverage that benefits both the films and the filmmakers involved.
The 2026 ceremony illustrated this dynamic: Los domingos swept the Feroz Awards with 5 wins, while Sirat - which received only 2 Feroz wins (Best Original Score for Kangding Ray, Best Trailer for Aitor Tapia) - had already secured two Oscar nominations (Best International Feature Film, Best Sound). The Feroz ceremony explicitly acknowledged Sirat's Oscar nominations, with sound team member Laia Casanovas in attendance. This demonstrates how the Feroz function as both an independent critical voice and a platform for amplifying Spanish films on the international stage.
The Feroz de Honor lifetime achievement award has recognized veteran performers and filmmakers. The 2026 recipient was actress Marta Fernandez-Muro, whose career spans decades of Spanish cinema.
For emerging Spanish filmmakers, a Feroz nomination in any category raises their profile with producers, distributors, and streaming platforms operating in the Spanish market. The debut and Arrebato categories are particularly relevant for new talent seeking industry attention.
Recent Results (13th Feroz Awards, January 2026)
- Best Drama Film: Los domingos - Alauda Ruiz de Azua
- Best Comedy Film: La cena - Manuel Gomez Pereira
- Best Director: Alauda Ruiz de Azua, Los domingos
- Best Lead Actress: Patricia Lopez Arnaiz, Los domingos
- Best Lead Actor: Jose Ramon Soroiz, Maspalomas
- Best Supporting Actress: Nagore Aranburu, Los domingos
- Best Supporting Actor: Kandido Uranga, Maspalomas
- Best Screenplay: Alauda Ruiz de Azua, Los domingos
- Best Original Score: Kangding Ray, Sirat
- Best Film Poster: Ana Dominguez and Rafa Castaner, Tardes de soledad
- Feroz de Honor: Marta Fernandez-Muro
- Best Drama Series: Yakarta
- Best Comedy Series: Poquita fe
Eligibility Quirks That Trip People Up
Mistake: Assuming any film released in Spain qualifies for the Feroz Awards.
Correct rule: Only Spanish productions qualify for film categories. A film must have Spanish production involvement to be eligible. International films released in Spain do not qualify, even if they had wide Spanish theatrical runs.
Mistake: Expecting the drama/comedy split to follow Golden Globes rules.
Correct rule: AICE members classify each film as drama or comedy during the nomination process. A film cannot appear in both categories. The classification is final and cannot be appealed by the distributor or filmmaker.
Mistake: Believing the Feroz Awards cover only cinema.
Correct rule: The Feroz Awards cover both film and television. AICE votes across 20+ categories spanning both mediums. Television series receive equal recognition alongside films, making the Feroz a hybrid awards body unlike most national film prizes.
Prestige Tier
The Feroz Awards sit below the Goya Awards in Spain's film awards hierarchy but above regional prizes like the Gaudi Awards in terms of national reach. The Feroz function as Spain's equivalent of the Critics Choice Awards in the US, offering a critical perspective that complements the industry-voted Goyas. The January timing, approximately one month before the Goya ceremony, positions the Feroz as a reliable precursor that shapes Goya voting conversations.
Compared to other European critics awards, the Feroz hold a position similar to France's Lumiere Awards, which also precede that country's industry-voted Cesars. The Feroz's unique Best Film Poster category gives it a distinction no other national film awards body offers.
Business Impact for Filmmakers
For Spanish filmmakers, a Feroz Award provides critical validation that the Goya Awards' industry recognition cannot offer. The January timing means Feroz results directly shape the narrative going into Goya voting. When the Feroz and Goya winners diverge, the contrast itself generates press coverage that benefits both the films and the filmmakers involved.
The 2026 ceremony illustrated this dynamic: Los domingos swept the Feroz Awards with 5 wins, while Sirat received only 2 Feroz wins (Best Original Score for Kangding Ray, Best Trailer for Aitor Tapia) but had already secured two Oscar nominations (Best International Feature Film, Best Sound). The Feroz ceremony explicitly acknowledged Sirat's Oscar nominations, with sound team member Laia Casanovas in attendance. This demonstrates how the Feroz function as both an independent critical voice and a platform for amplifying Spanish films on the international stage.
The Feroz de Honor lifetime achievement award has recognized veteran performers and filmmakers. The 2026 recipient was actress Marta Fernandez-Muro, whose career spans decades of Spanish cinema.
For emerging Spanish filmmakers, a Feroz nomination in any category raises their profile with producers, distributors, and streaming platforms operating in the Spanish market. The debut and Arrebato categories are particularly relevant for new talent seeking industry attention.
What Filmmakers Should Know
The Feroz Awards offer Spanish filmmakers a critical credential that complements Goya recognition. Because AICE members are professional critics, not industry workers, a Feroz win signals artistic quality rather than commercial or political success. Filmmakers should time their Spanish theatrical releases to ensure eligibility, since only films released during the prior calendar year qualify. The drama/comedy split means filmmakers should consider how AICE might classify their film, as this determines which category they compete in. The key trade-off: the Feroz carry less commercial weight than the Goyas but offer more credibility with international festival programmers and sales agents who value critical consensus over industry politics. Filmmakers seeking both should pursue Goya and Feroz recognition simultaneously, as the January timing allows one campaign to serve both awards.
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See Also
For understanding how European critics awards connect to distribution, see Distribution Deals Explained. To model revenue across European markets, use the Revenue Forecast Calculator. For evaluating the cost of an awards-season campaign against projected returns, use the Ad Spend Break-Even Calculator.
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