Overview
Blitz Film & Video Distribution is a Zagreb-based Croatian film distribution company founded in 1992. The company is the market leader and primary theatrical distributor in Croatia, with exclusive distribution agreements for three major Hollywood studios: Warner Bros. Pictures International, Paramount Pictures International, and The Walt Disney Company. The Disney deal includes all Disney brands: Walt Disney Animation Studios, Pixar Animation Studios, Lucasfilm, Marvel Studios, Searchlight Pictures, and 20th Century Studios.
Blitz is part of the Blitz Group, which distributes content across Croatia, Slovenia, Bosnia and Herzegovina, Serbia, Montenegro, Czech Republic, Romania, and Hungary. The group has subsidiary companies in Slovenia (Blitz Film & Video Distribution d.o.o.), Bosnia and Herzegovina, Serbia (Blitz Film & Video Distribucija d.o.o.), and operations in several Eastern European markets. Blitz Group also owns CineStar Channels, a group of specialized IPTV/cable/DTH film TV channels launched in 2009.
The company's Zagreb headquarters is at Kamenarka 1, 10010 Zagreb. Blitz distributes across multiplex venues in Zagreb, Split, Rijeka, and other Croatian cities, serving as the primary conduit for international studio content in the Croatian theatrical market. In addition to its Hollywood studio output, Blitz acquires Croatian productions and European arthouse titles for domestic release.
Market Position and Revenue
Blitz-CineStar, the cinema exhibition arm connected to Blitz Group, operates 16 cinema locations across 11 cities in Croatia, with 182 auditoriums including IMAX, 4DX, ScreenX, and Gold Class formats. The company won "Best Cinema in Europe" from UNIC (Union Internationale des Cinemas) in 2019. Blitz-CineStar employs approximately 200 people in Croatia, roughly ten times the headcount of its nearest competitor, Cineplexx.
In 2025, Blitz-CineStar reported total revenue of EUR 35.4 million, up 9% from 2024, with a net profit of EUR 3.9 million. These results approach the company's 2019 performance, when revenue was approximately HRK 216 million (about EUR 28.7 million) with net profit of HRK 36.8 million (EUR 4.9 million). The company's closest competitor, Cineplexx HR, operates only 2 locations with approximately 20 employees and reported 2025 revenue of EUR 3.6 million with a net profit of EUR 185,000, its first profitable year in five years.
Croatia's theatrical market recorded 3.54 million cinema visitors in 2025, up 3% from 2024 but still approximately 30% below the 2019 record of over 5 million visitors. The number of cinemas in Croatia has actually increased since 2019, from 75 to 125, with total seating capacity growing from 34,700 to 46,500. This expansion is driven by independent and small-town cinemas that were digitized with HAVC support.
Studio Output Deals and Distribution Scope
Blitz Croatia's exclusive studio output agreements cover the full slate of films from Warner Bros., Paramount, and Disney across all Croatian theatrical and home entertainment windows. This means that every Warner Bros., Paramount, and Disney theatrical release in Croatia goes through Blitz. The company handles:
- Theatrical distribution of major Hollywood releases across Croatia's multiplex network
- Croatian and regional independent film acquisitions
- European arthouse titles picked up at markets or through sales agent relationships
- Digital distribution through key digital platforms and TV channels
- Home entertainment (DVD/Blu-ray) distribution for its catalog titles
- CineStar Channels programming, the group's own IPTV/cable/DTH film channels
For international sales agents and filmmakers, Croatia is typically acquired as part of an ex-Yugoslav or Balkans territory package alongside Slovenia, Bosnia-Herzegovina, Serbia, and North Macedonia. Blitz Group's presence across these territories means a single deal with Blitz can cover the entire region, simplifying rights management for international sales agents.
Croatian Film Infrastructure
Croatia's film infrastructure extends beyond commercial distribution. The Croatian Audiovisual Centre (HAVC) operates as the national public agency for audiovisual activities, providing production and development funding for Croatian cinema. HAVC's Minority Co-Production Support Scheme offers funding for international co-productions where a Croatian producer participates as a minority partner. The 2025 and 2026 calls for applications cover feature fiction films, debut features, short fiction, feature documentaries, short documentaries, animated films, and experimental films.
Key requirements for HAVC minority co-production funding include: the co-production must qualify as an official co-production under the European Convention on Cinematographic Co-Production or bilateral treaties, a minimum of 60% of HAVC's allocated support must be spent within Croatia, and at least 50% of the overall financing must already be secured at the time of application. The Croatian producer's share can include HAVC subsidies, own investment, television investment, broadcasting rights, distribution contracts, and in-kind investments.
Croatia's public broadcaster HRT (Croatian Radio-Television) co-finances domestic film production through documentary and fiction strands, providing broadcast revenue for Croatian productions alongside theatrical distribution. The country's Adriatic coastline, historic Dubrovnik, and diverse landscapes have made Croatia a frequently used international film and television production location, creating an experienced local production infrastructure.
Croatian film culture includes several internationally recognized festivals: the Motovun Film Festival, Animafest Zagreb (one of the world's most significant animation festivals), the Zagreb Film Festival, and the Pula Film Festival. The Croatian Network of Independent Cinemas (Kino mreza), established in November 2014, connects digitized independent cinemas that program a minimum of 35% European, Croatian, and world independent films as a condition of HAVC digitalization support.
What Filmmakers Should Know
For international filmmakers seeking Croatian theatrical distribution, Blitz is the primary point of contact for commercial releases. The company's studio output deals and regional infrastructure make it the dominant player in the Croatian market. Independent films without major studio backing can be acquired by Blitz for Croatian release, typically as part of a broader Balkans territory deal. Filmmakers or their sales agents should approach Blitz at major markets (Cannes, Berlinale EFM, AFM) or through direct submission.
For Croatian filmmakers with international aspirations, Blitz's commercial distribution focus means the company is best suited for films with clear theatrical potential in the Croatian market. Films targeting international festival circuits or arthouse audiences may be better served through international sales agents and the European festival circuit. HAVC's minority co-production funding provides a pathway for Croatian producers to participate in international co-productions, with the 60% Croatian spend requirement creating opportunities for international productions to access Croatian locations, crew, and post-production services.
For international producers considering Croatia as a production location, the combination of HAVC co-production funding, the country's EU membership (which facilitates European co-production frameworks), and the existing studio infrastructure from productions like Game of Thrones (filmed in Dubrovnik and other Croatian locations) provides a practical base for European-scale productions.
See Also
For regional Balkans and Eastern European sales representation, see New Europe Film Sales in this directory. For how ex-Yugoslav territory rights packages are typically structured in international sales, see Distribution Deals Explained. To model revenue from multi-territory Balkans distribution deals, use the Revenue Forecast Calculator.
Film Distribution Resources
The Insider's Guide to Independent Film Distribution
Stacey Parks' definitive guide to independent film distribution, covering sales agents, markets, and deal structures.
Selling Your Film Without Selling Your Soul
A practical handbook on self-distribution, hybrid strategies, and building direct audience relationships for independent filmmakers.
The Business of Film
A comprehensive reference on film industry economics, covering distribution deals, revenue streams, and market trends.
Some links in this post are affiliate links. If you purchase through them, Tools for Film earns a small commission at no extra cost to you. This support helps us keep our calculators and tools free.