Brussels International Fantastic Film Festival (BIFFF)

Overview

The Brussels International Fantastic Film Festival (BIFFF) is one of Europe's largest genre film festivals. The 44th edition ran April 3 to 18, 2026, at Brussels Expo on the Heysel, screening over 100 features and shorts across horror, fantasy, science fiction, and thriller categories. The 2026 edition attracted nearly 60,000 visitors, a 30 percent increase from 45,600 in 2025, after the festival restructured its schedule across three weekends to allow attendees to watch more films.

BIFFF is a member of the European Fantastic Film Festivals Federation (EFFFF) and participates in the Melies International Festivals Federation circuit, which awards the Silver Melies for best European fantastic film at participating festivals. The festival presents the Raven Awards across multiple competitive sections, with the Golden Raven as its top prize. The 45th edition is scheduled for March 25 to April 10, 2027.

For genre filmmakers, BIFFF offers one of the most enthusiastic and knowledgeable audiences in Europe. The festival's audience culture includes elaborate rituals, cosplay traditions, and a closing Vampire Ball. The festival does not pay screening fees, and selected films must be Belgian premieres.

Submission Details

Submissions for the 44th BIFFF (April 2026) opened on September 1, 2025. Submissions are accepted through FilmFreeway or FestHome.

Feature film submissions:

• Minimum duration: 60 minutes
• Deadline: February 16, 2026 (for the 44th edition)
• Submission fee: approximately 23 EUR
• Accepted screening format: DCP 2K (Interop or SMPTE at 24, 25, or 30 fps)
• Films can also be submitted by sending a secure online link with synopsis and press kit to chris@bifff.net

Short film submissions:

• Maximum duration: 25 minutes
• Deadline: January 19, 2026 (for the 44th edition)
• Submission fee: approximately 9.20 EUR

Eligibility requirements:

• Films must be in the fantasy, science fiction, horror, or thriller genre
• Films must have been produced after January 1, 2024
• Films must be at least Belgian premieres (films already shown at another Belgian festival are only accepted in exceptional cases)
• All films must be in original version with subtitles in French, Dutch, or English
• A film presented in the official selection cannot be withdrawn once the rights holder has confirmed selection
• Notification date: March 18, 2026 (for the 44th edition)

Screening copy delivery:

• Physical DCP deadline: approximately March 31
• Digital delivery deadline: approximately March 24
• The festival pays shipping costs for DCP transport (go and return) through its official carrier
• If encrypted DCPs are submitted, the filmmaker must provide KDMs (the festival does not cover KDM costs)

Full regulations are available on the BIFFF submissions page.

Key Sections

• International Feature Film Competition - genre features competing for the Golden Raven and Silver Raven awards, judged by an international jury
• Short Film Competition - genre short films under 25 minutes
• European Competition - European fantastic films competing for the Silver Melies, part of the Melies International Festivals Federation circuit
• White Raven Competition - films that are unconventional, revolutionary, and difficult to categorize
• Black Raven Competition - emerging genre cinema
• 7th Parallel - anime and Japanese animation section
• Special Screenings - cult classics, tribute events, and retrospective programming
• Body-Painting Competition - an international body-painting competition held during the festival
• Vampire Ball - the traditional closing gothic and cosplay celebration

What Filmmakers Should Know

BIFFF does not pay screening fees. The festival covers transport costs for DCP shipping through its official carrier, but filmmakers are responsible for providing KDMs if their DCP is encrypted. The festival prefers unencrypted DCPs.

The Belgian premiere requirement is strictly enforced. Films that have already screened at another Belgian festival will only be considered in exceptional cases. For international genre filmmakers, this means BIFFF should be prioritized as the Belgian festival of record for genre films.

The festival's audience is one of its defining features. BIFFF attendees are deeply engaged genre enthusiasts whose word-of-mouth carries weight in the European genre film community. A BIFFF selection reaches audiences who follow the international festival circuit closely and actively participate in the festival's traditions. The 2026 edition saw over 7,000 liters of beer consumed across the festival period, indicating the level of audience engagement.

The 2026 jury for the International Competition included actress Tuppence Middleton (Sense8, The Imitation Game), producer and editor Michael Doherty (Land of the Dead, Diary of the Dead), Belgian actress and screenwriter Daphne Huynh (Wallifornia Dreamin'), and Norwegian writer-director Thea Hvistendahl (Handling the Undead). The Melies jury included Belgian director Aline Magrez, Belgian producer Gregory Zalcman, and Cineuropa director Valerio Caruso.

Major Awards

International Feature Film Competition:

• Golden Raven - Best Film overall (2026: Never After Dark by Dave Boyle, Japan)
• Silver Raven - Jury prizes, can be shared (2026: Nirvanna the Band the Show the Movie by Matt Johnson, Canada, and Tristes Tropiques by Park Hoon-jung, South Korea)

European Competition:

• Silver Melies - Best European Fantastic Feature (2026: Nightborn by Hanna Bergholm, Finland/Lithuania/France/UK)
• Special Mention (2026: Pinocchio: Unstrung by Rhys Frake-Waterfield, UK)

White Raven Competition:

• White Raven - most unconventional and challenging film (2026: You Are the Film by Makoto Ueda, Japan)

Additional awards:

• Audience Award (2026: You Are the Film by Makoto Ueda, Japan)
• Critics' Prize (2026: Yesterday Island by Sam Voutas, Australia)
• Black Raven (2026: Sicko by Aitore Zholdaskali, Kazakhstan)
• Emerging Competition (2026: Marama by Taratoa Steppard, New Zealand)

Past Golden Raven winners include Bong Joon-ho's The Host (2007), Kim Ki-duk's The Isle (2001), and Kim Jee-woon's I Saw the Devil (2011).

Festival History

BIFFF was founded in 1983 by Annie Bozzo, Gigi Etienne, Freddy Bozzo, Georges Delmote, and Guy Delmote as a venue for horror, thriller, and science fiction films. The festival has operated continuously for over four decades at Brussels Expo on the Heysel, growing into one of the most recognized genre festivals in Europe.

The festival is a founding member of the European Fantastic Film Festivals Federation (EFFFF) and participates in the Melies International Festivals Federation, a network of genre festivals across Europe that collectively award the Silver Melies for best European fantastic film. This network gives BIFFF-selected European films eligibility for the broader Melies competition circuit.

The Knights of the Order of the Raven, founded in 2005, is the festival's pantheon honoring individuals who have made significant contributions to genre cinema. The festival's body-painting competition and Vampire Ball have become signature traditions that distinguish BIFFF from other genre festivals on the circuit.

For the 2026 edition, the festival restructured its schedule to span three weekends instead of its traditional two-week format, a response to budgetary cuts that ultimately proved successful with a 30 percent attendance increase. The 45th edition is scheduled for March 25 to April 10, 2027.

See Also

For genre filmmaking strategies, see Independent Filmmaking. To calculate the return on festival submission spending, use the Festival ROI Calculator. To estimate your probability of acceptance based on festival tier and film characteristics, use the Festival Acceptance Odds Estimator. For European festival circuit strategy, see Film Festival Strategy.